Suzi Regan became fascinated with sound design while playing Jo for a production of A Taste of Honey while attending Michigan State University. The music magically activated the world the ensemble had begun to discover and gave it a heartbeat. Since then, whenever making a play as an actor or director or sound designer, she reaches for a musical pulse or tone that makes sense viscerally and contextually. Suzi has designed sound for over a dozen plays at PRTC (see credits below). Sound design at other theatres in Michigan include The Williamston Theatre, Tipping Point Theatre and the retired Performance Network Theatre.
PRTC Resident Artist
Member, Actors’ Equity Association,
the Union of Professional Actors and Stage Managers in the United States
Past PRTC Productions:
| Emma’s Wedding(s) | Sound Design, Emma (u/s) | 2026 |
| Fourteen Funerals | Sound Design | 2025 |
| What Springs Forth | Actor | 2024 |
| A Jukebox for the Algonquin | Director | 2023 |
| Vino Veritas | Actor | 2008 |
| Sea of Fools | Actor | 2007 |
| Let it Be | Sound Design | 2002 |
| Born Yesterday | Director, Sound Design | 2002 |
| Months On End | Director, Sound Design | 2002 |
| Born Yesterday | Director, Sound Design | 2002 |
| Rain Dance | Actor, Sound Design | 2001 |
| Completing Dahlia | Sound Design | 2001 |
| Orphan Train | Understudy | 2001 |
| The Hole | Sound Design | 1999 |
| The Big Slam | Sound Design | 1999 |
| Criminal Genius | Actor | 1999 |
| Book of Days | Actor | 1998 |
| Julie Johnson | Actor, Sound Design | 1998 |
| Escanaba In Da Moonlight | Sound Design | 1997 |
| Off The Map | Actor, Sound Design | 1997 |
| Hot L Baltimore | Actor | 1997 |
| Labor Day | Director, Sound Design | 1997 |
| Apartment 3A | Actor | 1996 |
| Beast On The Moon | Director, Sound Design | 1996 |
| Spring Comedy Festival | Actor, Writer | 1996 |
| Only Me and You | Actor | 1995 |
| Keely and Du | Actor | 1994 |
| Stanton’s Garage | Actor | 1994 |
Contact:
Not specified.