Suzi Regan became fascinated with sound design while playing Jo for a production of A Taste of Honey while attending Michigan State University. The music magically activated the world the ensemble had begun to discover and gave it a heartbeat. Since then, whenever making a play as an actor or director or sound designer, she reaches for a musical pulse or tone that makes sense viscerally and contextually. Suzi has designed sound for over a dozen plays at PRTC (see credits below). Sound design at other theatres in Michigan include The Williamston Theatre, Tipping Point Theatre and the retired Performance Network Theatre.
Past PRTC Productions:
| Fourteen Funerals | Sound Design | 2025 |
| What Springs Forth | Actor | 2024 |
| A Jukebox for the Algonquin | Director | 2023 |
| Vino Veritas | Actor | 2008 |
| Sea of Fools | Actor | 2007 |
| Let it Be | Sound Design | 2002 |
| Born Yesterday | Director, Sound Design | 2002 |
| Months On End | Director, Sound Design | 2002 |
| Born Yesterday | Director, Sound Design | 2002 |
| Rain Dance | Actor, Sound Design | 2001 |
| Completing Dahlia | Sound Design | 2001 |
| Orphan Train | Understudy | 2001 |
| The Hole | Sound Design | 1999 |
| The Big Slam | Sound Design | 1999 |
| Criminal Genius | Actor | 1999 |
| Book of Days | Actor | 1998 |
| Julie Johnson | Actor, Sound Design | 1998 |
| Escanaba In Da Moonlight | Sound Design | 1997 |
| Off The Map | Actor, Sound Design | 1997 |
| Hot L Baltimore | Actor | 1997 |
| Labor Day | Director, Sound Design | 1997 |
| Apartment 3A | Actor | 1996 |
| Beast On The Moon | Director, Sound Design | 1996 |
| Spring Comedy Festival | Actor, Writer | 1996 |
| Only Me and You | Actor | 1995 |
| Keely and Du | Actor | 1994 |
| Stanton’s Garage | Actor | 1994 |
Contact:
Not specified.